A. Radman - Keynote speaker

While there has been much written and said about the value of improvisation in discussions about innovation and creativity, there seems to be no prescriptive formula for improvisation itself. The aim of this cluster of The Reading Room is to make improvisation slightly more knowable. While we acknowledge the many traditions and theories of improvisation within music genres, this cluster will focus on ways in which improvisation is relational, existing within a physical space occupied by players and potentials to act. Through this perspective, we will work to deconstruct the persistent idea of the improviser as a freewheeling subject, or navigator, and instead emphasize a model of subjectivity that is constantly shifting in the exchange of energies between human and technological players.

For this discussion we had the pleasure of being joined by three guest readers from music and architecture: philosopher of music and auditory culture Marcel Cobussen, as well as two theorists with a focus on architecture and spatial perception, Lila Athanasiadou and Andrej Radman. With their guidance we immersed ourselves into various conceptual tools for thinking of improvisation as a relational process.
22 Oct 201712 Nov 2017

ID: 50754575